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Study of the Christ Child ID de tableau:: 63674
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Study of the Christ Child 1495 Pen drawing, 172 x 215 mm Mus?e du Louvre, Paris D?rer's pen drawing of a Christ Child is based on a design by the Florentine painter Lorenzo di Credi, which the latter made use of in several works, and it may have been used as a preliminary study for his Virgin and Child (Magnani Collection, Mamiano near Parma). Although the body posture and gestures differ, the types of faces of the two Infant Christs in the painting and drawing are comparable.Artist:D?RER, Albrecht Title: Study of the Christ Child Painted in 1501-1550 , German - - graphics : study 1495_Pen_drawing,_172_x_215_mm_Mus?e_du_Louvre,_Paris_D?rer's_pen_drawing_of_a_Christ_Child_is_based_on_a_design_by_the_Florentine_painter_Lorenzo_di_Credi,_which_the_latter_made_use_of_in_several_works,_and_it_may_have_been_used_as_a_preliminary_study_for_his_Virgin_and_Child_(Magnani_Collection,_Mamiano_near_Parma)._Although_the_body_posture_and_gestures_differ,_the_types_of_faces_of_the_two_Infant_Christs_in_the_painting_and_drawing_are_comparable.Artist:D?RER,_Albrecht_Title:_Study_of_the_Christ_Child___Painted_in__1501-1550___,__German__-_-_graphics__:_study
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Abduction of a Woman ID de tableau:: 63675
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Abduction of a Woman 1495 Pen, 283 x 423 mm Mus?e Bonnat, Bayonne This copy of a (lost) engraving by Antonio Pollaiuolo shows the lunge position in front and back view. The important element for D?rer was not the mere representation of the activity, but the basic Italian method of rendering articulation of the body. D?rer allowed himself freedom in individual details. He was surely not able to borrow from his original the manner in which the modeling lines follow the form, and the contour also has become gnarled in D?rer's fashion. The rear view of the male nude recurs in the engraving "Jealousy.'Artist:D?RER, Albrecht Title: Abduction of a Woman Painted in 1501-1550 , German - - graphics : study 1495_Pen,_283_x_423_mm_Mus?e_Bonnat,_Bayonne_This_copy_of_a_(lost)_engraving_by_Antonio_Pollaiuolo_shows_the_lunge_position_in_front_and_back_view._The_important_element_for_D?rer_was_not_the_mere_representation_of_the_activity,_but_the_basic_Italian_method_of_rendering_articulation_of_the_body._D?rer_allowed_himself_freedom_in_individual_details._He_was_surely_not_able_to_borrow_from_his_original_the_manner_in_which_the_modeling_lines_follow_the_form,_and_the_contour_also_has_become_gnarled_in_D?rer's_fashion._The_rear_view_of_the_male_nude_recurs_in_the_engraving_"Jealousy.'Artist:D?RER,_Albrecht_Title:_Abduction_of_a_Woman___Painted_in__1501-1550___,__German__-_-_graphics__:_study
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Head of an Apostle Looking Downward ID de tableau:: 63676
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Head of an Apostle Looking Downward 1508 Brush drawing with white highlights on a dark ground, 316 x 229 mm Graphische Sammlung Albertina, Vienna Study for the Heller Altar. This was a type that long interested D?rer and is still discernible in the head of St Paul in the Munich paintings of Apostles. All the forms contribute with unusual power to the unified expression.Artist:D?RER, Albrecht Title: Head of an Apostle Looking Downward Painted in 1501-1550 , German - - graphics : study 1508_Brush_drawing_with_white_highlights_on_a_dark_ground,_316_x_229_mm_Graphische_Sammlung_Albertina,_Vienna_Study_for_the_Heller_Altar._This_was_a_type_that_long_interested_D?rer_and_is_still_discernible_in_the_head_of_St_Paul_in_the_Munich_paintings_of_Apostles._All_the_forms_contribute_with_unusual_power_to_the_unified_expression.Artist:D?RER,_Albrecht_Title:_Head_of_an_Apostle_Looking_Downward___Painted_in__1501-1550___,__German__-_-_graphics__:_study
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The Stork ID de tableau:: 63677
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The Stork 1515 Pen drawing Mus?e d'Ixelles, BrusselsArtist:D?RER, Albrecht Title: The Stork Painted in 1501-1550 , German - - graphics : study 1515_Pen_drawing_Mus?e_d'Ixelles,_BrusselsArtist:D?RER,_Albrecht_Title:_The_Stork___Painted_in__1501-1550___,__German__-_-_graphics__:_study
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Caspar Sturm ID de tableau:: 63678
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Caspar Sturm 1520 Silverpoint, 127 x 189 mm Mus?e Cond? Chantilly This is a leaf from the sketchbook of the trip to the Lowlands. The legend reads: "1520 Caspar Sturm alt 45 Jor zw ach gemacht" (1520, Caspar Sturm, 45 years old, done at Aix-la-Chapelle [Aachen]). The lighting is peculiar, the landscape is related to the portrait. It is conjectured that the word "toll" indicates a tollhouse. The drawing is mentioned in the journal of the trip to the Lowlands: "Ich hob den Sturm conterfet" (I did a portrait of Sturm).Artist:D?RER, Albrecht Title: Caspar Sturm Painted in 1501-1550 , German - - graphics : portrait 1520_Silverpoint,_127_x_189_mm_Mus?e_Cond?_Chantilly_This_is_a_leaf_from_the_sketchbook_of_the_trip_to_the_Lowlands._The_legend_reads:_"1520_Caspar_Sturm_alt_45_Jor_zw_ach_gemacht"_(1520,_Caspar_Sturm,_45_years_old,_done_at_Aix-la-Chapelle_[Aachen])._The_lighting_is_peculiar,_the_landscape_is_related_to_the_portrait._It_is_conjectured_that_the_word_"toll"_indicates_a_tollhouse._The_drawing_is_mentioned_in_the_journal_of_the_trip_to_the_Lowlands:_"Ich_hob_den_Sturm_conterfet"_(I_did_a_portrait_of_Sturm).Artist:D?RER,_Albrecht_Title:_Caspar_Sturm___Painted_in__1501-1550___,__German__-_-_graphics__:_portrait
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| Artiste précédent Artiste prochain
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Albrecht Durer
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b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg |
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